2025-01-04 ─ 2025-01-25

李政垣個展

李政垣個展 LEE JEONG WON Solo Exhibition

展期：2025/01/04(六)～01 /25(六)
開幕茶會:01/04(六) 14:00
展覽地點：99°藝術中心-S7美術館 G樓（112台北市北投區承德路七段286號）
開放時間：11:00-18:30（日、一公休）

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韓國藝術家李政垣認為真景山水並非指真實的山水風景，而是指構成山水景觀的理致，即山水中蘊含的真意。山並不會輕易展現它的真實面貌，唯有透過不斷地山中摸索，在這一過程中逐漸有所領悟。如果說繪畫的意義不在於創造結果，而在於創作的行動本身，那麼在這過程中所經歷的「製造」與「探索」，或許才是最有價值的存在。
畫面上黏貼的小紙片，隨著黏貼方向形成流動感，是藝術家利用紙張堆疊，模擬出山水的肌理走向，從不同角度觀看時，又會呈現出光學般的視覺效果。創作背後的前期工作需要相當長的時間，包括登山經歷和手稿繪畫。而如同無數元素匯聚成一塊岩石一般，透過黏貼千片紙張、揮灑萬次筆觸的重複行動，藝術家才真正感受到山的存在。而每一幅作品因為大量親身實踐與感悟，各自傳達出迥異又核心共同的畫面。


Korean artist Lee Jung-Won believes that "true landscape" does not refer to the actual scenery of nature but rather to the inherent principles and meaning within the composition of landscapes—the true essence contained in the scenery. A mountain does not easily reveal its true appearance; only through continuous exploration within the mountain can one gradually gain insight. If the significance of painting lies not in creating a result but in the act of creation itself, then the process of "making" and "exploring" may be the most valuable aspect of all.
The small pieces of paper affixed to the artwork form a sense of flow through their directional placement. By layering paper, the artist simulates the texture and contours of landscapes. Viewed from different angles, the work reveals optical-like visual effects. The preparatory work behind these creations requires an extensive amount of time, including experiences of mountain climbing and sketching. Just as countless elements converge to form a rock, through the repetitive actions of pasting thousands of paper fragments and making tens of thousands of brushstrokes, the artist truly perceives the presence of the mountain. Each work, deeply informed by personal practice and understanding, conveys unique imagery while sharing a common core essence.